How To Draw A Face Pen And Ink
Today I am happy to share with y'all my process of making portraits using colored ballpoint pens on paper.
For a drawing similar this, I showtime by choosing a suitable photo of the person for a portrait in terms of lighting and expression. And so I written report the confront to go acquainted with the features. I imagine how I can testify the personality of the person in the best possible way. I also ponder upon whatsoever special features that demand to be focused upon like wrinkles, color of the eyes or pilus, etc.
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I and so crop/etch the face using a PC and get information technology printed on an A4 size sheet. On this print, I describe a filigree of thin lines, 22 vertical and xxx horizontal lines. This is my reference.
For the drawing, I employ a 22×30 inch 300 gsm handmade paper. at this size the confront becomes a piffling larger than life size, making it easy for me to draw all the details.
I depict a proper grid of pencil lines on my newspaper at ane inch distance between each line, so that I get 22×xxx lines. This allows me to accurately draw the proportions of the confront past comparing my drawing to the reference photo filigree. Then I use the aforementioned HB pencil to draw only the important outlines. I avert drawing more pencil lines equally they are difficult to erase after once the ballpoint pen lines overlap on them.
This item confront portrait is of a famous harmonium player from the previous generation in India who played Hindustani classical music and accompanied almost all the master vocalists in his generation throughout Bharat. I did this portrait for his nascence centenary celebrations.
In the photograph above, I started with a chocolate-brown ink ballpoint pen to draw the frame of his glasses. And so I used a dark-green ink pen to begin to add together color to the "Topi" (Cap/Hat) on his caput.
Note: I use various cantankerous hatching methods to make full an area. Since I am using ballpoint pen, I can only utilise only one colour at a fourth dimension, so I study the actual colour/hue that is to be achieved and then break it down to its component colors and determine which of the limited bachelor colors in my ballpoint pens are needed to be overlapped to get the final colour.
I completed the green tone on the Topi and likewise used a piffling dark-brown lightly to describe a line on the brow.
I connected with the brown ink lightly to cover the whole forehead and also around the optics within the spectacles. I also added a little calorie-free blue and green on the smooth on the spectacles. With the same brown I did the details of the eyes and the inside of the mouth also. I also added the prominent orange color on the ear and then added a little shading with chocolate-brown.
Now I added a little pinkish and cherry on the lips and with orangish pen I colored the rest of the face very lightly. I as well added a lot of details with the chocolate-brown pen, similar the shadow of the Topi, a little details of the hair and the details on the cheeks, nose, ear, neck and coat. I likewise added a footling shade on the Topi with blackness.
Here I worked further on the ear and other areas using red, orangish, and also a trivial green.
I added more than green in some areas along with brown.
More green and brown were added. I besides worked on the details around the eyes with dark-brown and blackness.
I add more black on the Topi, and deepened the shadow of the Topi on his forehead. Then I add more skin color by using orange, red, green, yellow and brown throughout.
Hither I added more than greenish on the face up and deepen the shadows on the neck with brown and blackness.
More details were added on the ear, below the olfactory organ, and around the eyes using brown, blackness and green.
Another layer of shadow details were added beneath the nose, eyes, and on the chin.
Many of the details are being fully fleshed out at present, similar the facial lines showing his age.
Once more than I deepened the shadows on the ear, effectually the nose, rima oris and the cervix using brown, black, and green.
To make the skin tone look more lifelike overall, I added in some orangish, yellowish, brown and green. I likewise put some final details on the hair.
More shadows and details went on the face using brown, green and blackness ink.
I added more black and blueish on the Topi for a richer color, and also deepened the tones on the face.
I colored the coat with blue and dark-green, and in honour of his profession, drew the harmonium keys. As needed, I worked on the details on the face as well.
More work on the shadows in the glaze and the Topi. . .
And finally, I added some light values in the background (using blackness) to raise the highlights on the ears. This completed the cartoon, and, satisfied with the result, I signed my name on the correct bottom.
After reading the above process, it looks easy to make a drawing like this. But in reality it is quite difficult. In fact, the above text tells simply about the actual drawing procedure and falls short of explaining the thought process that goes on in the listen while cartoon.
There are numerous choices to be fabricated when choosing a particular color, particularly when drawing the tones of the peel. Ballpoint pens have many limitations when information technology comes to color. . . there are only about ten colors bachelor: yellow, orange, crimson, pinkish, green, light bluish, blueish, royal, dark-brown, black. I take to combine them by overlapping lines one after the other directly on the paper surface. There is no correction possible one time you depict a line.
The only advantage is you can first or stop your work whatsoever time. There is no cleaning, and no mess!
During the entire drawing procedure (which takes about xl-45 hours to complete) I keep the reference photo in front of me. After a sure amount of time, we both connect and the photo starts to reveal what must be done to complete the drawing. I put my entire effort into getting information technology right. Each portrait is a new challenge.
I hope this is helpful to those of yous interested in cartoon portraits in ballpoint pen!
Special cheers to Shirish Deshpande for sharing his process! For more info most Shirish or to see his other fascinating portraits, delight visit his Facebook page.
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Source: https://emptyeasel.com/2019/01/31/how-to-draw-portraits-in-ballpoint-pen/
Posted by: mendenhallfleavermak.blogspot.com
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